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Free for Commercial Use

Slab Normal Elgu 3 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'FF Milo Slab', 'FF Tisa', and 'FF Tisa Paneuropean' by FontFont; 'FS Silas Slab' by Fontsmith; and 'Questa Slab' by The Questa Project (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, branding, sturdy, friendly, retro, confident, headline-ready, impact, sturdiness, readability, approachability, chunky, bracketed, softened, compact counters, rounded corners.


Free for commercial use
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This is a heavy slab serif with broad proportions, minimal stroke modulation, and prominent rectangular serifs that read as slightly bracketed/softened rather than razor-sharp. Curves are full and weighty, with relatively tight apertures and compact interior counters that create a dense, punchy texture in words. The uppercase has a strong, blocky presence, while the lowercase maintains a straightforward rhythm with a single-storey “a” and “g” and robust, squared terminals. Figures are equally bold and block-structured, matching the letterweight closely for an even, poster-like color.

Best suited for headlines, posters, signage, and packaging where a strong, high-impact serif is needed. It also fits branding systems that want a sturdy, friendly voice—especially in display sizes or short bursts of copy where its dense texture becomes an asset rather than a constraint.

The overall tone is confident and approachable—more warm and nostalgic than formal. Its chunky slabs and dense spacing give it a workmanlike, dependable feel, while the softened details keep it from feeling harsh or purely industrial.

The design appears intended as a dependable, high-impact slab serif for display typography—prioritizing bold presence, consistent rhythm, and a warm, slightly retro solidity over refinement or delicacy.

In text, the weight and compact counters make it visually loud, especially at smaller sizes; it performs best when given room (larger sizes, generous leading, or shorter lines). The letterforms stay consistent and straightforward, emphasizing clarity through mass and simple geometry rather than delicate detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸