Sans Normal Jomok 5 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Fuller Sans DT' by DTP Types, 'EF Franklin Gothic' by Elsner+Flake, 'Franklin Gothic' by ITC, 'Murs Gothic' by Kobuzan, 'PG Gothique' by Paulo Goode, 'NeoGram' by The Northern Block, and 'Gart Sans' by Vitaliy Gotsanyuk (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, social ads, athletic, assertive, energetic, modern, punchy, headline impact, convey motion, modern branding, strong emphasis, oblique, blocky, high impact, compact, rounded.
A heavy oblique sans with large, rounded counters and broad, smoothly modeled curves. The forms feel compact and powerful, with sturdy verticals and diagonals that keep a consistent, forward-leaning rhythm. Terminals are clean and mostly straight-cut, while round letters (O, C, G, e) stay open and generous for clarity at display sizes. Uppercase proportions read wide and stable, and the lowercase is sturdy with simple, single-storey shapes and minimal detailing.
Best suited for display typography where impact matters: headlines, posters, promotions, and branding—especially in sports, fitness, and high-energy campaigns. It can also work for packaging and social media graphics where a strong italic sans presence helps lead the eye and emphasize key words.
The overall tone is confident and energetic, with a sporty, action-forward slant that suggests motion and urgency. Its thick silhouettes and tight, no-nonsense construction give it a bold, contemporary voice suited to attention-grabbing messaging.
The design appears intended to deliver a bold, modern italic sans voice with high visibility and a sense of speed. Its simplified construction and rounded, open interiors aim to keep large text readable while maximizing punch and presence.
The numerals are similarly weighty and straightforward, matching the letterforms with rounded bowls and strong diagonals. Spacing appears designed for impact rather than delicacy, helping the face hold together in large headlines and short, emphatic lines.