Serif Contrasted Ully 1 is a bold, wide, very high contrast, upright, normal x-height font visually similar to 'New Bodoni DT' by DTP Types, 'Chamberí' by Extratype, 'FS Ostro' by Fontsmith, 'Madigan' by Hoftype, 'Didonesque Ghost' and 'Didonesque Stencil' by Monotype, and 'Bridone' by Tipo Pèpel (names referenced only for comparison).
Keywords: headlines, editorial, branding, posters, packaging, fashion, luxury, dramatic, modern classic, display impact, luxury tone, editorial voice, classic revival, vertical stress, hairline serifs, razor thin, crisp, sculpted.
A high-contrast serif with strongly weighted verticals and extremely thin hairlines, producing a sharp, polished silhouette. Serifs are fine and pointed with minimal bracketing, and many joins taper into needle-like terminals that emphasize crispness. Counters are compact and the overall rhythm is assertive, with wide caps and sturdy stems balanced by delicate connecting strokes. Curves show vertical stress and a slightly sculptural flare where thick and thin meet, giving letters a chiseled, editorial presence in both upper- and lowercase.
Best suited to headlines, magazine covers, and large-format editorial typography where its contrast can be appreciated. It also fits luxury-oriented branding and packaging, particularly when used in short bursts such as wordmarks, pull quotes, and section titles.
The font reads as fashion-forward and premium, pairing elegance with a bold, attention-grabbing attitude. Its dramatic contrast and sharp finishing details evoke magazine typography and luxury branding, while the upright posture keeps it formal and declarative.
The design appears intended to deliver a contemporary take on classic high-contrast serif lettering: confident and display-centric, with refined hairlines and sharp serifs that maximize impact in titles and brand-facing applications.
At display sizes the thin horizontals and hairline serifs create striking sparkle and texture, especially in mixed-case settings. The numerals and capitals carry a poster-like weight, while the lowercase adds a slightly more literary cadence through pronounced stroke modulation and tapered terminals.