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Free for Commercial Use

Sans Superellipse Himor 4 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'FF Govan' by FontFont; 'Gotham' by Hoefler & Co.; 'Movida' by ROHH; 'Amsi Pro', 'Amsi Pro AKS', and 'Sans Beam' by Stawix; and 'Brilk' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, sports branding, assertive, industrial, sporty, compact, modern, impact, space-saving, modernize, brand presence, legibility at scale, blocky, condensed, rounded corners, heavyweight, sturdy.


Free for commercial use
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A dense, heavy sans with compact proportions and rounded-rectangle construction throughout. Curves resolve into squarish bowls and counters (notably in O/C/e), while straight strokes stay rigid and vertical, producing a tightly packed, poster-like rhythm. Terminals are blunt and corners are softened, giving the face a robust, engineered feel rather than a geometric-perfect circle. Numerals and capitals read as tall and tightly fit, with minimal internal whitespace and consistent stroke weight.

Best suited to large-scale applications where strong presence is needed: headlines, posters, packaging fronts, and short, punchy brand statements. It can also work for wayfinding or labels when set with generous tracking and sufficient size to preserve counters.

The overall tone is forceful and pragmatic—more about impact than delicacy. Its softened corners add approachability to an otherwise tough, utilitarian voice, evoking athletic branding, industrial labeling, and bold contemporary headlines.

The design appears intended to deliver maximum visual impact in a compact footprint, using rounded-rectangle forms to keep the tone modern and friendly while maintaining a tough, high-ink headline voice.

The narrow set widths and tight apertures make word shapes compact and high-density; at smaller sizes the heavier joins and small counters may begin to fill in, while at large sizes the squared rounding becomes a defining stylistic cue. Diagonals (V/W/X/Y) are stout and stable, reinforcing a muscular, sign-paint-like presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸