Sans Faceted Anne 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Polaris' by AVP, 'Pelita' by Lafontype, 'Tahoma' by Microsoft Corporation, 'Morandi' by Monotype, 'Belle Sans' by Park Street Studio, and 'Core Sans N SC' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, industrial, athletic, retro, assertive, mechanical, high impact, geometric grit, machined look, signage clarity, octagonal, chamfered, blocky, compact, angular.
A heavy, blocky sans with faceted construction: curves are replaced by straight segments and chamfered corners, producing octagonal bowls and clipped terminals. Strokes are uniformly thick with minimal modulation, and counters are relatively tight, emphasizing dense, high-impact silhouettes. The lowercase maintains sturdy, compact forms with short extenders and squared-off joins, while the uppercase reads as rigid and geometric; rounds like C, G, O, Q, and 0 become multi-sided shapes. Numerals follow the same clipped geometry, with the 8 and 0 notably octagonal and the 2–5 showing sharp, planar turns.
Best suited to headlines, posters, bold branding, and logo wordmarks where strong silhouettes and angular detailing can carry the message. It also fits packaging, event graphics, and sports or industrial-themed applications that benefit from a sturdy, faceted look.
The overall tone is tough and utilitarian, combining a sports-signage punch with a machined, engineered feel. The faceting adds a retro-industrial edge that feels purposeful rather than decorative, projecting confidence and durability.
Likely designed to deliver maximum impact with a geometric, chamfered vocabulary that translates smoothly across capitals, lowercase, and numerals. The consistent planar cuts suggest an intention to evoke carved, stamped, or machined lettering while remaining cleanly sans in structure.
The family of shapes is highly consistent across letters and numbers, with repeated chamfers and flat-ended strokes creating a steady rhythm in both display sizes and longer sample lines. The dense weight and compact internal spaces make it most visually forceful at larger sizes where the angular detailing is easy to read.