Sans Normal Hoduf 6 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'Galey' by Prestigetype Studio (names referenced only for comparison).
Keywords: branding, posters, headlines, signage, packaging, modern, minimal, techy, friendly, futuristic, distinctive minimalism, signature branding, modern signage, geometric clarity, rounded, monoline, geometric, open apertures, soft terminals.
A monoline geometric sans with rounded stroke endings and a clean, even rhythm. Many forms are built from near-circular bowls and simple straight segments, with frequent small breaks where strokes meet—most notably in round letters and figures—which creates a stenciled, segmented construction. Counters are generous and apertures stay open, helping the design feel airy despite its distinctive cut-ins. Proportions are straightforward and contemporary, with simple, single‑storey lowercase shapes and uncomplicated numerals.
Well-suited for branding, headlines, posters, and packaging where a distinctive geometric voice is beneficial. The open shapes and uncomplicated construction also work for signage and interface display text, especially when set with comfortable spacing and at sizes that keep the segmented details clear.
The segmented joins and circular construction give the face a modern, slightly futuristic character, reminiscent of industrial labeling or digital-era signage. Rounded terminals soften the overall impression, keeping it approachable rather than severe. The result feels clean and purposeful, with a subtle engineered quirk that reads as designed rather than decorative.
Likely intended as a contemporary geometric sans that balances clarity with a recognizable, engineered detail. The design uses consistent circular geometry and deliberate breaks to create a signature look while maintaining an overall clean, functional silhouette.
The recurring gaps in characters like O, Q, G, and several numerals act as a consistent motif that sets the font apart and can become a strong brand signature. Because these interruptions are part of the letter structure, they are most legible when sizes and contrast are sufficient to preserve the cuts and openings.