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Free for Commercial Use

Sans Normal Oklif 16 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Cumhuriyet' and 'Ninova' by Fontuma and 'Cyntho Next' by Mint Type (names referenced only for comparison).

Keywords: headlines, ui, branding, signage, posters, modern, friendly, confident, clean, neutral, clarity, modernity, versatility, legibility, stability, geometric, rounded, monoline, open apertures, soft corners.


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A solid, geometric sans with monoline strokes and broad proportions. Curves are built from near-circular bowls and smooth arcs, while joins and terminals are clean and mostly flat with subtly softened edges. Counters are generous and apertures stay open, giving letters like C, S, a, e, and s a clear, uncramped rhythm. The lowercase shows straightforward, sturdy constructions (single-storey a and g), a simple ear on g, and a compact, functional t crossbar; overall spacing reads even and steady in running text.

Performs especially well for headlines, interface labels, and short-to-medium blocks of text where strong presence and clarity are needed. Its open counters and steady spacing support wayfinding and signage, while the geometric roundness makes it a good fit for modern branding, packaging, and marketing applications that want a friendly but authoritative look.

The tone is contemporary and approachable, balancing a friendly roundness with a firm, no-nonsense weight. It feels confident and highly legible, with a pragmatic, everyday voice rather than decorative personality. The overall impression is calm and direct—well-suited to communication that needs to look modern without feeling cold.

The design appears intended as a contemporary, geometric workhorse sans that prioritizes high legibility and a stable, even texture. Its broad forms and clean terminals suggest an emphasis on clarity at display sizes, with enough regularity and openness to remain usable across practical communication settings.

Round letters (O, Q, 0, 8, 9) maintain consistent curvature and weight, contributing to a cohesive texture. Diagonals (V, W, X, Y) are robust and straightforward, and the numerals lean toward clear, utilitarian shapes designed to hold up at large sizes. The sample text shows strong color and clear word shapes, with punctuation and dots reading distinctly against the heavy strokes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸