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Free for Commercial Use

Sans Superellipse Osmab 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'CamingoDos Condensed' by Jan Fromm, 'Allotrope' by Kostic, 'Burlingame' by Monotype, and 'Core Sans N' and 'Core Sans NR' by S-Core (names referenced only for comparison).

Keywords: headlines, branding, posters, packaging, signage, assertive, modern, friendly, industrial, sporty, impact, clarity, approachability, modernization, blocky, rounded, compact, clean, high impact.


Free for commercial use
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A heavy, geometric sans with rounded-rectangle (superellipse) bowls and smooth cornering throughout. Strokes are consistently thick with minimal modulation, producing dense, dark texture in text. Proportions feel compact and sturdy: uppercase counters are relatively tight, curves are broad and simplified, and terminals are blunt with softly eased corners. The lowercase follows the same built-from-blocks logic, with sturdy stems, rounded bowls, and simple joins; numerals are similarly robust and highly legible at display sizes.

Best suited to headlines, brand marks, and other high-impact display settings where dense weight and simplified geometry help messages land quickly. It also works well for signage, packaging, and social graphics where legibility and a modern, sturdy presence are needed.

The overall tone is confident and contemporary, balancing toughness with approachability through its rounded geometry. It reads as energetic and functional, with a slightly sporty, industrial voice that favors clarity and impact over delicacy.

The design appears intended to deliver a strong, contemporary sans voice built from rounded-rectilinear primitives, emphasizing instant readability and visual punch. Its softened corners suggest an aim to keep the boldness approachable for branding and public-facing applications.

In the sample text, the weight creates strong emphasis and a compact word shape, making it feel headline-forward. The rounded corners prevent the forms from feeling harsh, while the tight counters and broad curves keep the rhythm bold and steady.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸