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Free for Commercial Use

Sans Normal Miry 11 is a very bold, very wide, medium contrast, upright, tall x-height font visually similar to 'Taz' by LucasFonts (names referenced only for comparison).

Keywords: posters, headlines, packaging, branding, signage, playful, chunky, retro, friendly, loud, attention grab, friendly impact, retro display, bold branding, rounded, soft corners, blocky, bulky, cartoonish.


Free for commercial use
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A heavy, rounded sans with broad proportions and compact internal counters. Strokes are mostly monolinear with gently softened corners and subtly sculpted joins that create a slightly cut-in, chiseled feel on some curves. Round letters like O/C/G read as wide ovals, while terminals on forms such as S, a, and g show small angled slices that add rhythm and prevent the shapes from feeling purely geometric. The x-height appears large, with short ascenders and descenders, yielding dense, squat lowercase silhouettes and strong word shapes.

This font is best suited to display settings where impact and personality matter: posters, splashy headlines, product packaging, and bold brand marks. It also works well for signage and promotional graphics where high visual presence and friendly tone are desired, especially at medium-to-large sizes.

The overall tone is bold and upbeat, leaning toward a playful, cartoon-friendly retro voice. Its big shapes and softened geometry feel welcoming and humorous, with enough angular nib-like cuts to add energy and motion. It communicates confidence and immediacy rather than restraint or formality.

The design appears intended to deliver maximum presence with approachable, rounded forms, balancing geometric mass with small angled cuts to keep the rhythm lively. It prioritizes strong silhouette and readability in short bursts of text, aiming for a contemporary-retro, attention-grabbing display style.

In the sample text, the heavy weight and tight counters make punctuation and small interior details feel compact at smaller sizes, while larger display sizes showcase the sculpted cuts and rounded mass more clearly. The numerals share the same bulky, rounded construction, producing a cohesive headline color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸