Sans Superellipse Oklev 9 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Miura' by DSType, 'Fester' by Fontfabric, 'Allotrope' by Kostic, and 'Akwe Pro' and 'Karibu' by ROHH (names referenced only for comparison).
Keywords: ui text, mobile apps, product design, signage, dashboards, friendly, modern, clean, approachable, utilitarian, geometric clarity, friendly ui, legibility, brand neutrality, systematic design, rounded corners, soft geometry, monoline, compact curves, open counters.
This sans-serif uses softly squared, superellipse-driven curves with rounded terminals and a largely monoline stroke. Letterforms are compact and sturdy, with generous apertures and open counters that keep shapes readable at a range of sizes. The uppercase feels simple and functional, while the lowercase shows a tall, even rhythm with straightforward bowls and stems; the overall texture is smooth and consistent without sharp joins or pronounced stroke modulation. Numerals follow the same rounded-rect geometry, producing a cohesive, contemporary set.
It performs well in interface copy, navigation labels, dashboards, and other digital product contexts where a smooth, contemporary sans is desired. The clear counters and steady stroke make it suitable for short paragraphs and headings, and the rounded geometry can also work effectively for wayfinding and brand-support typography.
The rounded-rectangle construction gives the font a friendly, modern tone that feels calm and practical rather than expressive or decorative. Its softened corners and steady rhythm suggest an approachable, product-oriented voice suited to everyday communication.
The design appears intended to translate a rounded-rectangle (superellipse) system into a versatile sans that feels contemporary and friendly while staying highly legible. It prioritizes consistent geometry, clean spacing, and an even typographic color for practical use across screens and print.
Curves tend to resolve into slightly flattened arcs, reinforcing the superelliptical feel across rounds like C, O, and S. Dots and punctuation appear simple and compact, and diagonal-heavy letters (such as V, W, X, Y) retain the same softened endpoints for a uniform finish.