Sans Superellipse Ogmaw 15 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Military Jr34' by Casloop Studio, 'Evanston Alehouse' by Kimmy Design, 'B52' by Komet & Flicker, 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive, and 'Beachwood' and 'Hyperspace Race' by Swell Type (names referenced only for comparison).
Keywords: headlines, branding, logos, posters, packaging, techy, futuristic, industrial, sporty, utilitarian, geometric modernism, strong legibility, distinctive silhouette, systematic design, squared, rounded, compact, stencil-like, modular.
A geometric sans built from rounded-rectangle and superellipse forms, with consistent monoline strokes and generous corner radii. Counters tend toward squarish openings (notably in O/0/8), while joins and terminals are clean and mostly flat, producing a crisp, engineered silhouette. Proportions feel compact with relatively wide bowls and short-looking apertures, and the overall rhythm is steady and grid-friendly across caps, lowercase, and figures.
Well suited for display roles where a geometric, engineered look is desirable, such as headlines, brand marks, product packaging, and poster typography. It can also work in interface labels or dashboards when a strong, compact sans is needed, especially at medium to large sizes where its squarish counters and rounded corners read clearly.
The letterforms project a contemporary, tech-oriented tone—confident, controlled, and slightly retro-futuristic. Its squared curves and uniform stroke weight suggest industrial design cues, making the voice feel functional and system-like rather than expressive or calligraphic.
The design appears intended to deliver a modern geometric sans with a distinctive superellipse construction—merging hard, rectangular structure with softened corners for a robust, contemporary voice. It prioritizes visual consistency and strong silhouettes for impactful display typography.
Distinctive superelliptical rounding gives the font a soft-but-structured character, where curves read more like rounded corners than circular arcs. Numerals and capitals appear particularly suited to lockups and badges, with sturdy shapes that hold together at larger sizes.