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Sans Superellipse Holev 8 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cantiga' by Isaco Type and 'Neue Frutiger Cyrillic' and 'Neue Frutiger Paneuropean' by Linotype (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, friendly, bold, playful, approachable, retro, impact, approachability, display clarity, brand friendliness, rounded, soft, blunt, chunky, compact.


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A heavy, compact sans with rounded-rectangle construction and broadly curved corners throughout. Strokes are thick and largely uniform, with soft terminals and generous inner rounding that keeps counters open for the weight. Uppercase forms are sturdy and blocklike (notably the wide, flat E/F/T), while round letters like C/G/O/Q read as squarish superellipses rather than true circles. The lowercase follows a simple, sturdy model with a single-storey a and g, a short-armed r, and a tall, straight t with a broad crossbar. Numerals are similarly chunky and simplified, with large bowls and minimal detailing for high impact.

Well suited to headlines and short emphatic copy where a dense, high-impact texture is desirable. It can work effectively for logos, packaging, and storefront-style signage thanks to its sturdy silhouettes and friendly rounding. In longer passages, it’s best used sparingly (subheads, callouts) to avoid an overly heavy page color.

The overall tone is confident and friendly, with a toy-like softness that tempers the extreme weight. Its squarish rounds and blunt endings evoke a mildly retro, sign-painter or mid-century display feel while still reading as modern and clean. The rhythm feels punchy and upbeat, prioritizing presence over refinement.

The design appears intended to deliver maximum visual impact with a soft-edged, approachable character. By basing round forms on squarish curves and keeping stroke behavior consistent, it aims for a cohesive, highly legible display voice that feels bold without becoming sharp or aggressive.

Curved joins are emphasized, producing smooth ink traps-free transitions and a consistently cushioned silhouette. Apertures are generally modest (especially in S and e), which increases the solid, poster-like color. The design keeps recognizable shapes at small sizes, but its strongest personality comes through when set large.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸