Sans Superellipse Hurak 11 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Chubbét' by Emboss, 'Molde' by Letritas, 'Azbuka' by Monotype, and 'Aago' by Positype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, playful, punchy, modern, friendly, impact, approachability, modernity, simplicity, legibility, geometric, rounded, compact, blocky, sturdy.
A heavy, geometric sans with strongly rounded-rectangle construction and broad, even strokes. Curves are tight and controlled, with smooth terminals and minimal modulation, giving counters a compact, superelliptical feel. The forms lean toward squared geometry in letters like C, G, and S, while verticals and horizontals stay firm and steady for a dense, poster-ready texture. Lowercase shapes are simple and sturdy, with a single-storey a and g, a short-armed r, and round i/j dots that read clearly at large sizes; numerals are similarly weighty and built from the same softened geometry.
Well suited to headlines, posters, and prominent UI or signage where maximum presence and quick recognition are priorities. It also fits brand marks and packaging that want a friendly, modern weight with clean geometry, and works best when given enough size or contrast to avoid overly dense text color in long passages.
The overall tone is bold and friendly, combining a contemporary geometric voice with a slightly playful, chunky presence. Its rounded corners soften the weight, making it feel approachable rather than aggressive, while still delivering strong impact.
Likely designed to deliver high-impact, contemporary display typography with softened geometry—combining the assertiveness of a heavy grotesque with rounded, superelliptical construction for approachability and clarity in bold messaging.
Spacing and proportions create a compact rhythm, especially in running text, where the thick joins and tight counters produce a cohesive, dark color. The design’s rounded-rectilinear logic stays consistent across letters and figures, helping headlines and short lines feel unified and intentional.