Sans Superellipse Ibrih 5 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'QB One' by BoxTube Labs, 'Erbaum' by Inhouse Type, 'RBNo3.1' by René Bieder, 'Gunar' by The Northern Block, and 'Obvia Wide' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, chunky, sporty, techy, playful, bold, impact, modernity, brand voice, geometric cohesion, squarish, rounded, blocky, compact, geometric.
A heavy, geometric sans with rounded-rectangle construction and softened corners throughout. Curves are squarish and superelliptical rather than circular, with flat-ish terminals and broad, sturdy strokes that keep counters relatively tight. The lowercase has a tall x-height and simple, single-storey forms, while many letters show subtle wedge-like joins and angled cuts (notably in diagonals and at some junctions), giving the rhythm a slightly kinetic feel. Numerals follow the same boxy, rounded logic, with wide footprints and consistent weight.
Well-suited to headlines, posters, and display typography where bold, compact counters and rounded-rect forms create instant visual authority. It also fits branding, packaging, and signage that want a modern, athletic or tech-leaning voice with approachable geometry.
The overall tone is assertive and high-impact, with a friendly, contemporary edge from the rounded geometry. It feels sporty and tech-forward, like signage or product lettering meant to read fast and look confident. The squarish curves add a playful, game-like character without becoming informal or script-like.
The font appears designed to deliver maximum impact with a consistent rounded-rect geometry and minimal detail, prioritizing quick recognition and a strong, contemporary silhouette. Its tall lowercase and simplified shapes suggest an emphasis on punchy readability in display and short-text settings.
The design reads best when set with some breathing room: its wide silhouettes and tight internal counters create dense word shapes at small sizes. The sample text shows strong line presence and an even color, with distinctive squared rounds in letters like O/C/G and a sturdy, poster-like texture across paragraphs.