Sans Normal Lybiz 6 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Audens' by Artisticandunique, 'Crossten Soft' by Emre Güven, 'Oktah Round' by Groteskly Yours, 'Crossten' by Horizon Type, 'Century Gothic Paneuropean' by Monotype, 'Montreal Serial' by SoftMaker, 'TS Montreal' by TypeShop Collection, and 'Hartwell' by W Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, packaging, logo, kids, playful, chunky, friendly, retro, bouncy, impact, approachability, motion, display, rounded, soft corners, heavy terminals, compact, punchy.
A heavy, right-leaning sans with rounded construction and softened corners. Strokes are broadly even, with minimal contrast and generously filled counters that keep the color dense and consistent. Curves are built from plump, circular forms, while joins and terminals feel slightly blunted rather than sharp, creating a cushioned silhouette. Spacing and widths vary noticeably by letter, giving the line a lively rhythm; overall shapes stay sturdy and compact, with clear, uncomplicated interior forms.
Best suited to short, high-impact text such as headlines, posters, brand marks, packaging callouts, and playful editorial display. The dense weight and rounded shapes hold up well in large sizes and can add warmth and momentum to campaigns, event graphics, and casual product branding.
The tone is upbeat and approachable, with a bold, cartoon-adjacent friendliness that reads as fun rather than formal. Its slanted stance adds motion and energy, pushing the voice toward sporty, casual, and attention-grabbing. The rounded massing also suggests a slightly nostalgic, display-oriented feel.
Likely designed as an energetic display sans that prioritizes friendliness and immediacy. The combination of a strong slant, rounded geometry, and heavy stroke presence suggests an intent to stand out quickly while staying approachable and easy to read at headline sizes.
Round letters like O, Q, and G appear especially full and smooth, while diagonals and vertices (V, W, X, Y) are thick and stable, avoiding needle-like points. Numerals follow the same soft, weighty logic, staying highly legible at large sizes and retaining a consistent, punchy texture across lines.