Sans Normal Limev 6 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Alamia' by Ani Dimitrova, 'Akzidenz-Grotesk Next' by Berthold, 'EquipCondensed' by Hoftype, 'Kyrial Sans Pro' by Mostardesign, 'TT Norms Pro' by TypeType, and 'Artico' by cretype (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, assertive, energetic, modern, dynamic, impact, motion, attention, clarity, modernity, slanted, oblique, rounded, compact, blunt terminals.
A heavy, slanted sans with rounded construction and compact interior counters that stay open despite the weight. Strokes are broadly uniform with subtly softened joins, producing smooth curves in bowls and diagonals while keeping corners firm and decisive. Proportions feel slightly condensed and forward-leaning, with a consistent rightward slant across caps, lowercase, and numerals. The lowercase shows sturdy, single-storey forms and simple, workmanlike shapes that read clearly at display sizes, while figures are bold and straightforward with minimal ornament.
Best suited for large-scale applications such as headlines, posters, logos, and bold brand statements where the slant and weight can amplify impact. It also fits energetic contexts like sports, outdoor, and promotional graphics, and can work on packaging or signage when short phrases need strong emphasis.
The overall tone is fast, confident, and attention-grabbing, with a distinctly energetic, sporty feel. Its strong mass and forward slant suggest motion and urgency, making it feel assertive and contemporary rather than refined or delicate.
This font appears designed to deliver high-impact communication with a sense of speed and momentum. The rounded, simplified letterforms aim for immediate recognition and a modern tone while the heavy weight prioritizes visibility and punch in display settings.
The design favors bold silhouettes and clear rhythm over fine detail: apertures and counters are kept relatively generous for such a heavy style, and terminals tend to be blunt and clean. The oblique angle is consistent and gives lines of text a unified, forward-driving texture.