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Free for Commercial Use

Sans Superellipse Idmut 5 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Akkordeon' by Emtype Foundry, 'Rhode' by Font Bureau, 'Sztos' by Machalski, 'PG Gothique' and 'PG Grotesque' by Paulo Goode, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, assertive, industrial, compact, retro, punchy, maximum impact, space saving, display emphasis, signage tone, blocky, condensed, sturdy, squared-round, posterlike.


Free for commercial use
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This typeface is a heavy, condensed sans with rounded-rectangle (superellipse) construction. Strokes are uniform and dense, producing a dark, compact texture with minimal modulation. Curves are broadly squared-off rather than purely circular, and counters tend to be tight, giving letters a stout, monolithic feel. Terminals are clean and blunt, with straightforward geometry and consistent vertical stress across the alphabet and figures.

Best suited to short, high-impact text such as headlines, posters, packaging callouts, brand marks, and bold signage. It works especially well where a compact width and strong black shape help fit more characters into limited space while maintaining a solid, unified typographic block.

The overall tone is forceful and utilitarian, with a billboard-ready impact that reads as confident and no-nonsense. Its squared-round forms add a slightly retro, manufactured character—more industrial signage than soft friendly roundness.

The design appears intended to deliver maximum visual punch in a condensed footprint, using superelliptical rounding to keep the forms crisp yet approachable. Its emphasis on uniform strokes and tight, squared counters suggests a focus on bold display communication and clear, industrial-style presence.

Uppercase and lowercase share a similarly robust color, and the figures match the same blocky, compact rhythm for cohesive display settings. At smaller sizes the tight counters and dense weight may reduce clarity, but at headline sizes the strong silhouette and even spacing create a stable, attention-grabbing presence.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸