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Stencil Uksi 4 is a bold, narrow, low contrast, italic, normal x-height font visually similar to 'Citadina' by Graviton, 'Masifa Rounded' by Hurufatfont, 'Neusa Neu' by Inhouse Type, 'Navine' by OneSevenPointFive, 'Otoiwo Grotesk' by Pepper Type, 'Hype vol 3' by Positype, and 'Gineso' by insigne (names referenced only for comparison).

Keywords: posters, headlines, branding, sports, apparel, industrial, tactical, sporty, aggressive, techy, impact, speed, ruggedness, stenciling, utility, condensed, slanted, oblique, blocky, angular.


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A condensed, forward-slanted display face built from heavy, block-like forms with minimal stroke modulation. Strokes are clean and geometric with squared terminals, tight counters, and a generally compact footprint that emphasizes verticality. The defining feature is its repeated stencil breaking: consistent horizontal cuts and small bridges interrupt bowls and stems across both uppercase and lowercase, creating a rhythmic, segmented texture. Numerals and capitals share the same assertive construction, producing strong, high-impact word shapes at larger sizes.

Best suited for posters, headlines, packaging accents, and branding that needs a tough, high-energy voice. It also fits sports graphics, motorsport or industrial themes, apparel marks, and short promotional copy where the stencil texture can be a feature rather than a constraint.

The stencil interruptions and aggressive slant give the font a utilitarian, action-oriented tone. It reads as industrial and tactical, with a sporty urgency that suggests speed, impact, and engineered hardware rather than softness or elegance.

The design appears intended to merge a compact, high-impact italic stance with unmistakable stencil breaks, delivering a rugged, production-minded aesthetic. Its consistent segmentation across the set suggests a deliberate system for creating visual punch and thematic coherence in display typography.

The stencil cuts are prominent enough to become a graphic pattern, especially in longer lines of text, where the repeated breaks create a striping effect. The condensed proportions and dense interior spaces can make small sizes feel busy, while larger sizes highlight the intended rugged, stamped look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸