Sans Superellipse Iddag 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Muller' and 'Muller Next' by Fontfabric, 'Core Sans N' and 'Core Sans NR' by S-Core, 'Amsi Pro' and 'Amsi Pro AKS' by Stawix, 'Morl' by Typesketchbook, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, branding, assertive, playful, chunky, friendly, poster-ready, impact, approachability, modernity, clarity, brand presence, rounded corners, soft geometry, compact, sturdy, high impact.
A heavy, compact sans with soft, rounded-rectangle construction and consistently blunt terminals. Curves are built from broad, superelliptical bowls and shoulders, giving counters a squared-off roundness and keeping joins smooth and sturdy. Strokes are uniform and dense, with tight apertures and a relatively compact rhythm that favors solid black shapes over airy interior space. Numerals match the same blocky, rounded geometry, reading as robust and highly legible at display sizes.
Best suited to headlines, posters, signage, and packaging where thick shapes and rounded geometry can hold up at distance and on varied substrates. It also works well for bold brand marks and short, punchy copy in digital interfaces, especially at larger sizes.
The tone is bold and upbeat, combining a friendly softness from the rounded corners with a no-nonsense, attention-grabbing weight. It feels contemporary and utilitarian, with a slightly playful, chunky character that reads well in loud, confident messaging.
Likely intended as an approachable, high-impact display sans that pairs geometric clarity with softened corners for a modern, friendly presence. The construction prioritizes strong silhouettes and consistent, sturdy forms for confident communication.
The design emphasizes mass and stability: wide verticals, simplified curves, and minimal detailing create strong word silhouettes. The overall texture is dark and even, making it especially effective where impact matters more than fine typographic nuance.