Hollow Other Onno 3 is a very bold, normal width, low contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, game ui, packaging, industrial, techy, playful, arcade, stenciled, textured display, retro tech, industrial styling, grid construction, graphic impact, pixelated, modular, geometric, square, perforated.
A modular, square-built display face constructed from heavy rectangular strokes and right-angle geometry. The strokes are consistently thick, while the interior of the strokes is punctuated by evenly spaced square perforations that create a hollowed, cutout texture across every glyph. Counters are generally boxy and open, with occasional stepped joins and notch-like intersections that emphasize a grid-driven construction. Overall spacing and widths vary by character, but the forms maintain a disciplined, tiled rhythm and a strong silhouette at larger sizes.
Best suited to display settings where the perforated texture can be appreciated—posters, event titles, brand marks, apparel graphics, and game or app UI headers. It can also work for short subheads or labels when there is ample size and contrast, but it is not optimized for long-form reading.
The repeated perforations evoke machine panels, film sprockets, and circuit-board patterns, giving the font an industrial yet playful voice. Its blocky, pixel-adjacent construction reads as retro-tech and game-like, with a crafty, stencil-ish attitude that feels engineered rather than handwritten.
This font appears designed to merge a bold, blocky headline structure with an all-over knockout pattern, creating a recognizable texture that remains consistent across the alphabet. The intent seems to be a high-impact, grid-based style that signals engineered, retro-digital, or industrial themes while staying legible in short bursts.
The internal cutouts become the dominant detail, so the design relies on scale: at smaller sizes the perforation pattern can visually merge, while at headline sizes it becomes a distinctive texture. Straight terminals and squared curves keep the tone rigid and mechanical, with minimal softening anywhere in the system.