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Sans Superellipse Fokez 1 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Febrotesk 4F' by 4th february, 'Racon' by Ahmet Altun, 'Normatica' by CarnokyType, 'Navine' by OneSevenPointFive, 'Amsi Grotesk' by Stawix, and 'Manual' by TypeUnion (names referenced only for comparison).

Keywords: sports branding, posters, headlines, apparel, packaging, sporty, urgent, punchy, industrial, retro, speed, impact, branding, utility, slanted, compact, blocky, rounded corners, stencil-like.


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A heavy, forward-slanted sans with compact proportions and rounded-rectangle construction. Strokes are thick and uniform, with squared terminals softened by generous corner rounding, producing a superelliptical feel in bowls and counters. Openings and joints are cut with crisp, angled edges that create a slightly machined, stencil-like rhythm, especially in letters with notches and inset corners. The overall texture is dense and assertive, with sturdy numerals and uppercase forms that read as streamlined blocks rather than calligraphic shapes.

Best suited to short, high-impact typography such as sports identities, event posters, promo graphics, and bold UI or packaging callouts where the slant and dense shapes can project motion. It performs particularly well in display sizes on high-contrast backgrounds, where the rounded corners and geometric cut-ins read clearly and add character.

The font conveys speed and force, with a competitive, performance-driven tone. Its slant and squared geometry suggest motorsport, sports branding, and action-oriented messaging, while the rounded corners keep it from feeling harsh or overly technical. The result is bold, attention-grabbing, and slightly retro in a utilitarian, headline-focused way.

The design appears intended to deliver maximum visual punch with a fast, aerodynamic slant and rugged, engineered letterforms. By combining rounded-rectangle geometry with sharp inset cuts, it aims to feel both modern and tough—optimized for branding and headlines that need immediacy and energy.

Distinctive cut-ins and angled joins give many letters a segmented look, helping keep counters open at large sizes while maintaining a tightly packed silhouette. The numerals follow the same rounded-rectangle logic and feel built for impact rather than delicate text setting.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸