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Free for Commercial Use

Sans Superellipse Habiz 3 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Mercurial' by Grype; 'Sans Beam' by Stawix; and 'Celdum', 'Nauman', and 'Nauman Neue' by The Northern Block (names referenced only for comparison).

Keywords: headlines, ui, signage, branding, packaging, modern, tech, friendly, confident, clean, clarity, impact, approachability, modernity, systematic, geometric, rounded, sturdy, compact, neutral.


Free for commercial use
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A heavy, geometric sans with rounded-rectangle construction and consistently softened corners. Curves are smooth and full, with large counters and a steady, even stroke that keeps contrast minimal throughout. Proportions feel generous horizontally, while vertical strokes remain firm and straight, giving letters a stable, engineered silhouette. Terminals are mostly blunt and clean; diagonals (as in A, V, W, X, Y) are crisp, and round letters (O, C, G, Q) read as superelliptical rather than purely circular. Numerals match the set’s sturdy, rounded geometry, with clear, simple forms designed for quick recognition.

This font suits bold headlines, interface labels, and navigation where clarity and solidity are priorities. Its rounded geometric structure also works well for contemporary branding, packaging, and wayfinding, especially where a friendly but assertive voice is needed.

The overall tone is contemporary and pragmatic, with a friendly softness from the rounded geometry and a confident presence from the heavy weight. It feels at home in digital and product contexts—clear, direct, and slightly tech-forward without becoming cold or overly clinical.

The design appears intended to deliver high-impact legibility with a modern geometric character, using superelliptical rounds and softened corners to balance strength with approachability. It prioritizes clean silhouettes and consistent construction for reliable performance across display and short-text settings.

The rhythm is tight and consistent, favoring broad, solid shapes and open apertures for clarity. Lowercase forms maintain a straightforward, functional feel, while the uppercase set projects a strong, sign-like impact at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸